Humanities West explores Ansel Adams’ legendary six-decade career as a conservationist, teacher, musician and, above all, photographer, bringing you the stories behind the famous images to reveal the infectious enthusiasms, fervent battles, and bountiful friendships of a truly American original. 

Two of Ansel Adams’ best friends, Georgia O’Keeffe and Edward Weston, criticized him for being too involved with the world. They advised that his activism—for the environment, for the rights of American citizens, for the recognition of photography as a creative art—all came at a grave cost to his art. To be a serious artist, they agreed, one must focus only on one’s art. Ansel Adams proved them wrong. But too often, Adams’ photographs are appreciated only for their aesthetic appeal, without consideration of the social and political circumstances of their making. 

On what would have been his 123rd birthday, how do we celebrate this great artist and American citizen? Mary Street Alinder and Dr. Jasmine Alinder will place Adams’ artistic work and political convictions in conversation, not as opposing forces, but as mutually supporting objectives. 

Mary Street Alinder first studied with Adams in 1967, eventually becoming his chief assistant from 1979 until his death in 1984. During those years she worked very closely with him and completed his autobiography posthumously. She will share her very personal experiences with this great San Franciscan. 

Jasmine Alinder is an interdisciplinary, community-engaged scholar and teacher of public history, the history of photography, and the history of Japanese-Americans during World War II. In her talk, she will focus on Ansel Adams’ 1944 project Born Free and Equal: The Story of Loyal Japanese-Americans.