Adam Johnson, Associate Professor, Stanford University; Author, The Orphan Master’s Son and Fortune Smiles Kathryn Ma, Author, The Year She Left Us and All That Work and Still No Boys; Jury Member, The Commonwealth Club’s California Book Awards — Moderator
This program is part of the Good Lit series underwritten by the Bernard Osher Foundation Read more »
James McBride's National Book Award-winning novel tells the story of John Brown and his raid on Harpers Ferry from the perspective of a young, freed slave who is mistaken for a girl and spends much of the novel riding the circuit with John Brown. Offensive, hilarious, violent and sad, James McBride fills the Kansas Territory with characters straight out of a Mel Brooks movie and then throws in a dash of Quentin Tarantino for good measure. Told from this perspective, it is simultaneously comic and brutal.
Join us for a discussion of hell and purgatory within Dante’s Divine Comedy, led by Lynn Harris. The Clive James’s translation will be used, which was decades in the making and renders the entire epic as a coherent and compulsively readable lyric poem. Yet the translation reproduces the same wonderful momentum of the original Italian, propelling the reader along the pilgrim’s path from hell to heaven, from despair to revelation.
Monday Night Philosophy arrests your attention with John Mindermann’s insights from his book In Pursuit (co-authored with Brian Solon). Gathered from nearly a decade on the SFPD and his career as an FBI agent, the book details his riveting experiences, including June 17, 1972, when Mindermann just happened to be called in to investigate a burglary at the Watergate complex. You cannot get any closer to history than this.
Pius XI, who was pope during Mussolini’s rise to power in the 1920s, arranged to accept Il Duce’s political dominance in return for assurances of rights and privileges for the church. Over time, Pius XI became conflicted about fascism and Italy’s alliance with Nazi Germany. He prepared a statement condemning the Nazis as he was dying in 1938, but others in the Vatican prevented the original draft from being distributed. Kertzer explores ecclesiastical skullduggery and intrigue, including information revealed in recently opened Vatican archives.